Sunday, September 21, 2008

Testing Mongol Saber, made by Vince Evans

Mongol Saber, made by Vince Evans
Notes on design

Philip Tom worked out the design as a combo of the likely elements that one might have seen in the sabers carried by the various horsemen who served in the Mongol ranks. Given that most of the excavated material is incomplete: a blade with guard here, one with a partial hilt there, and various bits in between, Philip drew on several source to complete the whole. A list of this sources is provided below-

The blade proportions and shape of guard and tuncou seen on the fragmentary saber with Armenian inscriptions excavated in the Urals, formerly in the possession of the Soviet Academy of Sciences (Leningrad branch), and published by Djanpoladian and Kirpicnikov in "Mittelalterlichen Saebel mit einer armenischen Jnschrift, gef. im subpolaren Ural" (GLADIUS, Vol. X, pp 15-23). Phil, however, opted for an unfullered blade x-section.

The relative lack of distal taper which Evans incorporated into the blade design is a feature confirmed by examination of numerous sabers, excavated on the Hungarian and north Caucasian plains. This accounts for the extremely tip-heavy balance of these weapons.

The Sabers Blade

Historical Design Authenticity - 100%. This saber was designed by Philip Tom, a well know expert in the field. That alone would be enough for most to feel confident in the historical accuracy of any Continental Asian saber, but I can add that this saber closely resembles those discovered at different archeological sites in Russia, including those found at the site of the first Russian-Mongol battle at Kalka River in 1223 (The details of which finds were used to design which parts of this saber are listed below). Beyond the overall accuracy of the blade form & shape of the fittings, I was quite happy to see that the blade's cross-section geometry was also right on, being polished in what is commonly referred to as a a "clamshell" or "apple seed" shape. This shape provides for a blade that is both adequately sharp but also strong enough to endure the rigors of cutting harder materials.

Rating - Very Good.

Solo Basic Cuts & Form Practice Test
Solo Basic Cuts & Form Practice Test

I couldn't use my usual set of common basic dao cuts for testing this saber for the simple reason that it is balanced for use on horse back, not on foot. So before I started swinging it about in earnest, I took some time to do a little research on the use of saber from the saddle. Obviously, cutting while on horse back is restricted by the need not to hurt one's mount. So, for example, there are no horizontal cuts to the front, nor upward sweeping diagonal cuts from the left. Also chopping cuts will have to complete their motion before traveling low enough to possibly strike the head of one's horse's. One also has to sit with the left shoulder forward. So when I tested this saber, I used primarily two cuts; a high pi cut aimed at head level & an upward sweeping liao cut from my right side. Though I am not familiar with using a saber balanced for mounted use, I found this saber easy to use. It is balanced with more weight toward the tip than saber for use on foot, as are other Qing period examples I have examined, but not is much that it is difficult to wield or cut with. In short, the balance & handling are just what is required from use on horseback.

Hard Cutting Test.
Hard Cutting Test for Mongol Saber

The locally grown bamboo I use for cutting practice has a tendency to splinter when cut, making it a bit more challenging to cut. The last 2 summers have been rather dry, making this even more the case, yet this saber easily sliced thru old growth, green bamboo 2" in diameter.

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See also Vince Evans Bladesmith

Thursday, September 4, 2008

Chinese Traditional Martial Arts Show Displays Skill And Precision

Arts Demonstration Show
Credit: Chen Qiu/The Epoch Times

Skill, discipline and precision were the order of the day as over a dozen martial artists demonstrated their expertise at the 2008 North America West Coast Chinese Traditional Martial Arts Demonstration Show on August 31.

Over two hundred spectators, some from as far away as Hong Kong, attended the show. The masters, ranging from age fourteen to eighty-four, displayed a variety of demonstrations including Chinese Broad Sword Set, Tai Chi Quan, and the famous Shaolin Quan.

Held at the Britannia Centre in Vancouver, the show's intention was to promote traditional Chinese martial arts. It also provided a great opportunity for masters around the world to advance in their skills.

"Martial arts have the effect of preventing violence; in other words, to stop war and generate peace," said Zenghua Zhou, a martial artist who performed in the show.

"Martial arts also have the effect of nurturing health and strengthening the body as well as building the muscles. It was used in ethnic areas to heal illness and achieve physical fitness."

Martial arts are mostly practiced as an ordinary exercise among the general public nowadays, with the result that some of its fundamental nature has been lost. It actually originated from ancient traditional Chinese culture, which has rich content and inner meaning.

Martial arts were initially derived from Taoism, a spiritual practice that is closely related to personal cultivation and self-improvement. The first martial art appeared during the period of the Yellow Emperor (2852 BC - 2205 BC).

Later on, the sword techniques were gradually enriched by the incorporation of artistic components.

There are two styles in martial arts: Internal Style and External Style. The Internal Style emphasizes a person's inner development, while the External Style focuses on the physical.

The Internal Style was mostly practiced during the Ming (1368-1644) and Qing (1644-1912) dynasties when the spiritual community taught Ba Gua and Xingyi Quan. The External Style is the one spread in public today, valued for its elegance, openness, and swiftness.

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